.
Bourgeois in her Chelsea home (in the Nineties?) with three pink cloth sculptures. As she advanced in age, she appears to have turned to more malleable materials than the marble, metal and wood she wrestled with for much of her career
Bourgeois in her Chelsea home (in the Nineties?) with three pink cloth sculptures. As she advanced in age, she appears to have turned to more malleable materials than the marble, metal and wood she wrestled with for much of her career.
.
Fluent in many mediums, Louise Bourgeois drew from her own painful childhood to create a body of work that was emotionally and viscerally poweful. She worked for decades as a relative unknown--at one point using the roof of her townhouse as a studio--but championed by feminist artists in the Seventies, and by curator Robert Storr, she became well known and highly regarded in late middle age, making her the unofficial patron saint of unheralded midcareer artists everywhere.
I didn't know her, but sometimes I'd walk by her brownstone on 20th Street (a few blocks from my own building on 21st) and see her through the window, drawing. I always loved that.
Holland Cotter, writing for the New York Times, reports it was a heart attack. Read his obit in the New York Times and my own blog post from 2008 on her Guggenheim retrospective. (Next week I'll have images from Mind and Matter, the exhibition currently at MoMA, which features the artist's carved wood sculptures and a fabulous cloth book. )
.
I didn't know her, but sometimes I'd walk by her brownstone on 20th Street (a few blocks from my own building on 21st) and see her through the window, drawing. I always loved that.
Holland Cotter, writing for the New York Times, reports it was a heart attack. Read his obit in the New York Times and my own blog post from 2008 on her Guggenheim retrospective. (Next week I'll have images from Mind and Matter, the exhibition currently at MoMA, which features the artist's carved wood sculptures and a fabulous cloth book. )
.

__LB.jpg)